The guitar definitely handles dynamics and variations in right-hand techniques with far more precision when plugged in than it does in acoustic mode.ĭespite our best efforts at encouragement and plenty of opportunity, the APX resisted feedback - even at full volume - making the supplied rubber feedback-busting soundhole insert redundant. Rolling off the signal from the pickup in favour of the mic models took the slightly metallic-sounding edge off the tone, and further rolling the mids off we were able to warm things up considerably. Plugged in, it leaps into life with a punchy, bright 'snap'. Volume and sustain levels are comparatively good bearing in mind the guitar's size - the APX offers an instantly likable and usable acoustic tone. Theres a huge range of tones available from the guitars three-band EQ, and the guitars compact size also means that. No worries, this little fella really starts to make sense when its plugged in. The APX500s small body means it cant quite compete with the acoustic tones of bigger guitars. While the APX's lack of body mass does have an effect on its ability to offer a thick, rounded bass, it does project a strong mid-range and the high end is sparklingly clear and bright. A quality onboard preamp with a built-in tuner. With that in mind, we'd be forgiven for focusing on its electro capabilities, but that would be missing a trick: this is still a good acoustic guitar. Yamaha's stated purpose for the APX1200II is for plugged-in performance, be it onstage or in the studio.
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